1. |
Eco-Anxiety
06:20
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2. |
Interlude No. 2
03:33
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3. |
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Every day I make my mind up
I make my mind up every day
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4. |
Melanoma
01:50
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A warm embrace that leads to violence
An illuminating light removes the comfort of shadows
The growing lamp grills
Life is possible because of
What I fear will end it
Cancer grows on my skin
Telling me to seek professional help
In the form of a shady branch
And I don’t like talking about the weather
I feel it’s inappropriate small talk
Given the circumstances
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5. |
Hmm
04:34
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A hallway in a large building
Emptiness, loneliness, self-loathing
I can finally sense my worth and value
Why are you incapable of appraising me properly?
I can see the room for joy
I can contribute positively
It is only Tuesday
Why is this happening to me?
The benefits are comprehensive, but I feel so hated
How can you treat another person that way?
Does it have to do with attachment?
That there is no protection?
The body will tear itself apart
Reminding me of a tree I saw in a pond
This is not my planet
This is not my fault
What gives you the right to treat me this way?
I have finally learned not to treat myself so poorly
“I wouldn’t treat my worst enemies this way”
Just eat already
Consume in a manner that is consistent with your philosophy
The whole sense is that I am not wanted here
I am capable of love
After all, everybody is an applied psychologist
It physically pains me to be in your presence
It must hurt so badly for people to think of you like this
Empathize with my empathy
Theorizing deficiency as an addiction
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6. |
Recurring Dream
02:38
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I used to have this recurring dream, where from a distance I saw a huge mural of a whale. The setting was like a hybrid of a shipyard and a quarry. But there was a massive wall the whale mural was painted on. In the dream, I was looking at this as if I was standing high above the quarry/shipyard, on ground just before the deep fall occurs. I think it might be more of a shipyard, because I remember the ambient, industrial, hustle and bustle of the people who looked as small as ants down below. But the mural of the whale was so massive, it did not seem small at all from where I was looking, especially compared to the people.
Apparently, whales are a common dream theme. Furthermore, some theorize that rather than providing messages or teachings for personal development or survival, dreams function to guide us collectively, as a species. The whale mural appeared for me at periods of transition, as many others have received important dreams at significant life points. But I don’t remember the dream ever evolving. It was just me looking, in awe, at the mural.
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7. |
5.1 Earths
02:20
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8. |
Upon Awakening
06:10
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The most vivid experiences. Light, shadow, color, texture. Feeling.
People. Smiles, laughter, sentences, sentiments, texting. Pictures.
Unlike anything I have ever lived. Unlike anyone they represent.
Saying what has never been said or implied. Bliss, excitement.
Part of a loving community. In a safe world with stable conditions.
Providing the supplies for a sublime, ultimate piece of work. A work of art.
Clearly, you should not be in this setting. Why are you here?
Clearly, neither of you have ever existed. I have an idea who you represent.
Clearly, I have never lived here. But I did live in that one element.
And I know what this main place represents. Thinly veiled. Real.
What happened first? I don’t know. That may have happened first.
Sentences. Witnessing. Admiration. Anticipation. Obviously, fun.
Where am I in these circumstances for you? How do I appear?
I wonder when I’m me. I wonder when my hair is different.
Tell me the words I use and how I deliver them. I shouldn’t want to practice.
I wish the message was more than “you don’t need to practice.”
Clearly, given the frequency, and in honesty, I suppose want to practice.
I am now reminded of the denim, and the movement of my hands.
I wonder when I’m represented by someone else. Though I don’t think the differences matter.
What do I wear? Better, how do I act? To what extent am I true to myself?
To what extent and how accurately do you create my authentic feelings and desires?
I remember hopping over the tracks. Reading. Sending. Laughing.
What do we laugh about? Do you perceive yourself, or is the focus on me?
I am now reminded of the light rose cotton blend, and my elated disbelief.
The sky was so dark. I’ve seen this part of the building before.
This feeling I have in my stomach now was the same as in the dream.
What about your hands? How did you respond upon awakening?
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9. |
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Imagine disintegrating into the cosmos
Returning to the Earth what was borrowed, appreciated, loved
And helped to sustain others
“The ultimate healing”
Closing the eyes
Taking a deep breath
Allowing the body to relax into the black corners of the universe
Regenerating as a new form of life
In a way you would fully appreciate if you could comprehend
Being thankful for what you have been afforded
Having been protected by your human community
Who fully embraced their position in Earth’s systems
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10. |
Grey Matter
07:02
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11. |
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Now let’s explore the landscape. There can be a huge benefit to seeing a physical landscape as a metaphor for one’s thoughts, feelings, emotions, and overall well-being. We see this tall tree here, what could that represent? Or that massive sand dune? What about those bushes over there, just starting to bear fruit? How about the wilting flowers?
It’s also important to contextualize the landscape. We are not always in the same frame of mind, nor are we always in the same physical location, season, time of day or night, lunar phase, age, and so on. Neither are we in a locked in a singular social context.
Wait, there’s something. We are not always in the same social context. How society organizes and oppresses has changed over time. Isn’t that a relief? There is a timeline, and thus, perhaps an ending point where we finally win society, complete healing, and I suppose, live in conditions favorable to universal human development.
Getting back to the landscape, let’s now get rid of all the weeds and wilderness in the way. I know, imagine a long highway being paved over all that, stretching out to the finish line. You open the cellophane to smell the preservatives baked into a black and white cookie. The body responds with still more ulcers, but under these conditions, a cure is surely coming soon.
Sometimes I want to die. In that, I no longer wish to live what feels like a fight. I saw enough fighting between the adults at home when I was a child, and I have never been in a fight myself.
How about the wilting flowers? This new soap smells like rich people. What about those bushes over there, just starting to bear fruit? Becoming more mindful of and limiting my alcohol intake has shed a few pounds. Or that massive sand dune? I plan to one day live in a house rather than an apartment. We see this tall tree here, what could that represent? Sometimes people kiss me in my dreams.
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12. |
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Om shanti
Om
I am surrounded by my friends
The blooming flowers
The growing leaves
The sand dunes
And the wind coming off the waves
The little bugs
And all the shrubs
And the fog
The tiny creatures on the ground
Om shanti
Om
Peace surrounds me
I am peace
Peace surrounds me here
I contribute to the peace
I’m a contributor of peace
As I look around me
I see peace
When I listen
I hear peace
When I touch
It’s a part of me
Feeling the peace
That’s a part of my surroundings
I am a part of
All of this peace
Hello wind
Hello waves and fog
Hello birds in the air
And birds on the ground
Hello everyone
Hello leaves
And blooming flowers
Pine cones
Everyone ‘round me
Oh, hello
Peace be with you
Peace come to you
Om shanti
Om
Om shanti
Om
---
So now as I’m walking, this big smile on my face (laughs). Hearing things, noticing things I didn’t see before; colors, textures, placements of different things, different creatures. There was a beautiful snail on a shell before. I’m seeing this beautiful dandelion here. Taking a moment to dig into different scents, noticing the differences between individual species of plants. Trees in particular, beautiful pine trees. Smelling them, and having those scents blend with the salt of the ocean, the fog, the vegetation. Tuning into these birds here, deeply appreciating the soundscape they’re sharing with me. Contributing to what is ocean is providing, and sounding, what the wind is sounding. Noticing some flowers here and some kind of dusty vegetation that—part of looks like it might be dead, but other parts of it are flowering. Smelling more of the rose petals as I’m better attuned after smelling one. Getting really into it, the deep perfume of it. Now even as I just look around, I can tap into that scent more. This connection of the senses. Again, noticing plants and colors that I didn’t see on the other side of the walk. I’m walking a lot slower, too, than I was before. My pace has slowed down a whole lot. Looking past this dune, seeing some vegetation. Looks like a little community, a neighborhood within the beach. Their little corner of the dunes.
Loving my breath, loving the ocean. Loving, oh my gosh, all these flowers right here. And again, this big smile. Tears starting to come. A true feeling of peace, and freedom, balance (cries). This is what life should be. This is “the good life” (laughs). Connecting with these flowers, connecting with the ocean, and connecting with the fog, the wind. Everything else, the plants, snails, bugs. Feeling my prints in the sand, feeling connected. Seeing the bees, appreciating and connecting with them. Feeling part of an ecosystem, of a community. So un-alone (cries).
It was transformative. I was feeling completely fine before, but it’s a deep sense of peace, belonging and connection. Like I can stop, or that I maybe have stopped, I don’t know. Truly feeling, like, a sense of home. Like it’s correct that I’m here at this time. And wanting to be here all the time.
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13. |
My Inner Ocean
07:34
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(reversed vocalizing)
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Nicholas Patrick Quigley Fall River, Massachusetts
Nicholas Patrick Quigley (they/he), an integrative composer, sound artist, and educator, specializes in minimalist electro- acoustic chamber music inspired by meditative improvisation. Exploring sound as a rewilding medium and a practice of cultivating personal sustainability, Quigley walks and records soundscapes of Southern New England's nature preservations as part of their creative process. ... more
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